Jacques-Louis David














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Jacques-Louis David

 

Life: 1748-1825 (1)

 

Country: France

 

Style(s): Neoclassicism

 

Works: Oath of the Horatii (1784-85)

             The Tennis Court Oath (1791)

             The Death of Marat (1793)

             Portrait of Pierre Sériziat (1795)

             Portrait of Madame de Verninac, née Henriette Delacroix, Sister of Eugène Delacroix(1799)

            Sappho and Phaon (1809)

 

Quote: “In the arts the way in which an idea is rendered, and the manner in which it is expressed, is much more important than the idea itself. To give a body and a perfect form to one's thought, this – and only this – is to be an artist.” (3)

 

Fun Fact: He was elected to the National Convention and the Committee of Public Safety (1).  He was also the painter of the Revolution and an ardent supporter of Napoleon (2).

 

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The Tennis Court Oath (1791)

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Portrait of Madame de Verninac, née Henriette Delacroix, Sister of Eugène Delacroix(1799)

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Portrait of Pierre Sériziat (1795)






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Sappho and Phaon (1809)

           David was the foremost painter of the French Revolution, so much that he became known as the painter of the French Revolution (2). You are ecstatic that you are going to get to meet him.

            When you first open the door, you are surprised. He doesn’t look the way you had expected—a strong, masculine man; instead, he has a scrawny body topped by a narrow, feminine face with soft, straight hair. But that doesn’t make him any less of the great man he is. He immediately invites you in and awes you with his stories from the French Revolution. He tells you about when he was elected to the National Convention and the Committee of Public Safety (1) and he also tells you all about Napoleon. He is now a very ardent supporter of Emperor Napoleon (2). You ask about Chucky but he evades the question, making you promise to allow him to give you a tour of his home before even discussing the subject of the squirrel. You see his infamous paintings The Tennis Court Oath and Death of Marat which depict events you can only dream about.

Finally, once the 

 

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The Death of Marat (1793)

tour is over, you sit down and he starts to tell you about French portrait painters. He tells you that they are a very tight-knit group and that they all know everything that is going on since they are able to invade the upper echelons of society as long as they have enough skill and imagination to make the real members of that upper echelon look good in a portrait. He tells you about Drouais, his favorite student and good friend (5).  Drouais is a reasonably well known French portrait painter and David suggests that he might have a better idea of where to find Chucky (4).

François Hubert Drouais

          Or, he suggests, maybe his old teacher, also his distant relative, would have a better idea (1). David confides in you that although the pair split up after realizing that they had very different styles, they still remained in touch and it seemed like Boucher was up to something.

François Boucher































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