Eugéne Delacroix














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Eugène Delacroix

 

Life: 1798-1863 (1)

 

Country:  France

 

Style(s): Romanticism

 

Works: Orphan Girl in a Cemetery (1824)

              Greece on the Ruins of Missolonghi (1826)

              The Sea from the Heights of Dieppe (1852)

              Tiger and Snake (1862)

 

Quote: "The first virtue of a painting is to be a feast for the eyes."  (3)

 

Fun Fact: Lord Byron’s poetry inspired Delacroix to paint “The Death of Sardanapalus” for the 1827 Salon (1)

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Orphan Girl in a Cemetery (1824)

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Greece on the Ruins of Missolonghi. (1826)

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Tiger and Snake (1862)






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The Sea from the Heights of Dieppe (1852)

            Delacroix is not at all what you were expecting. As soon as he realizes you are looking for Chucky, he tells you that he has heard of the squirrel but does not know his whereabouts. You are crestfallen, disappointed that your long search has revealed nothing more than a line of artists who can’t help you. However, Delacroix immediately cheers you up by suggesting a long list of others who are sure to be able to help more. Before he gives you the list, he tells you that he is a very prolific painter and that his use of color will in the future have great influence on Impressionism. He also tells you that he likes to paint exotic and historic subjects (1). Then he begins the list:

            “Well, to start with, I was so impressed with English artists like Constable, that I actually visited England in 1825 (1).

John Constable

           “Then, of course, there is Turner. I studied his works during that same 1825 visit to England (6). I find Turner to be ‘silent, even taciturn, morose at times, close in money matters, shrewd, tasteless, and slovenly in dress’ (5). However, since you are so interested in finding your squirrel, you must try Turner if nothing else works.

 

Joseph Mallord William Turner

           “And lastly, there is my good friend Bonington. The two of us go back a long way. During that same 1825 visit to England, I was in London during the summer, and Bonington and I were roommates. We had great influence on each other. For example, I convinced Bonington to try painting with historical subjects and he encouraged me to restrain my use of color (4). Of course, that didn’t stick long.

Richard Parkes Bonington

            “Oh. I must say I wasn’t planning on going down this road, but you do seem so eager to have your squirrel back again. Well then, here goes: I assume you know of Ingres? My famed opponent? Well, that man is dreadful—he only produces works that are ‘merely clever and that satisfy nothing but idle curiosity'. However, I must admire his knowledge of dress and his feel for adornment. There certainly are some glimmerings of Romanticism there (7). Anyway, I don’t like the man, but I if you must, ask him about your squirrel.”

Jean-Auguste-Dominique Ingres































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